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Forty thousand people in Windsor and Essex County work in manufacturing, 80 per cent in the auto industry.

Up Highway 401, in the London area, manufacturing accounts for another 30,000 jobs. That includes thousands in the auto parts industry, with more spread up and down the highway east and west of the city at parts factories that feed Big Auto in Southwestern Ontario.

Now, roll in the thousands more employees at the two big auto plants east of London Toyota in Cambridge and Cami Automotive in Ingersoll.

The result? The region reliance on the export driven auto industry its big customer, the United States grows even larger.

More than any other region of Canada, Southwestern Ontario lives and dies by the access to the giant American market that the North American Free Trade Agreement (NAFTA) provides. under NAFTA. under NAFTA. and Mexico for 24 years, the deal that the auto industry is based on.

That made Southwestern Ontario what one report calls Big Auto in Canada ground zero for the fallout of any American withdrawal from the continental trade treaty, and the many questions being asked as the troubled trade talks resume Tuesday.

An American pullout from NAFTA be disastrous, says Jonathan Azzopardi, president of mould maker Laval International in Tecumseh, near Windsor.

no other way really to put it, he said. our biggest partner, and we can afford to have them turn their back on us. President Donald Trump said last February he wanted to NAFTA. wants half the content of vehicles made in Canada and Mexico to be American. It doesn want a mechanism to resolve disputes. And it wants to renegotiate any new agreement in five years. proposals.

It a negotiation unlike any other. The point of trade deals is shared objectives and reducing barriers. Not this one: It America First, as America turns inward. withdraws, NAFTA will expire in six months. Then, said Azzopardi, I not telling you this to get everyone in upheaval,
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it almost like it going back to the wild, Wild West. one knows what will happen. Free Trade Agreement? Or World Trade Organization rules?

Or would all three countries negotiate new, bilateral deals?

There is no road map for withdrawing from a trade agreement on this scale.

Reverting to WTO tariffs leave Canada unequivocally worse off than under NAFTA, but it would not be a disaster, concludes a study by the Bank of Montreal. The gross domestic product would be one per cent lower than it would otherwise be. The loonie would fall five per cent to 74 cents US. Consumer prices would rise 0.8 per cent. But policy makers, businesses and markets would adjust.

But certain industries and regions especially Ontario auto industry would be affected. would be affected most, the report states. more than almost any other industry and would be of the hardest hit. and Mexico, that parts to produce one vehicle cross the border up to seven times.

Companies couldn supply their plants if borders became barriers.

Even auto dealers would be affected because the cost of vehicles could jump by more than US$1,000, which would noticeably on consumer demand and dealership margins. Deliveries to dealerships likely would be delayed because of more regulations. D. Howe Institute. Canada would lose 25,000 to 50,000 jobs in the long term. Temporary unemployment during possibly long adjustment period could very significantly to these losses. certain sectors, including auto, will suffer hits to exports, the report says. Total sales in auto, chemicals, rubber and plastics will fall by as much as $4 billion.

On the front line are Windsor and Essex County, part of the biggest cluster of vehicle, parts and tool and mould makers in North America, a highly integrated,
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“Last Flag Flying” is a solidly entertaining road film carried above all by the talent and chemistry of its cast.

Like other Richard Linklater penned and directed films, it balances moving drama with just the right amount of humor to keep things engaging.

It’s a bit too long, and as road films sometimes do it loses a bit of its focus and impact as it veers off into episodic misadventures meant to endear audiences to the characters.

But for the most part it works. Once audiences reach the end of the road with those characters, they’ll most likely want that road to stretch just a little further.

What’s it about?

Set in 2003, “Last Flag Flying” focuses on Larry “Doc” Shepherd (Steve Carell), a Navy veteran who sets out to reunite with two Marine buddies he served with in Vietnam, Sal (Bryan Cranston) and Mueller (Lawrence Fishburne).

In the decades since Doc has seen them, Sal and Mueller took very divergent paths one now a boozed up, broken down bar owner, the other a happily married church pastor. But once he has them both in the same room, Doc asks his one time best friends to help him with a heartbreaking task: to help him bury his own son, Larry Jr., also a Marine, who was killed while serving in Iraq.

Not long into the trip, the trio receive information that casts doubt on the story the government told Doc about how his son died. The script by Linklater and Darryl Ponicsan (whose novel the film is loosely based upon) is filled with Grumpy Old Men style banter and situations which develop out of the trio’s vastly disparate personalities.

Of the three roles, Cranston’s is the showiest his Sal a salty, bawdy, unapologetic sort who drinks,
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smokes and swears too much, all with a sort of resigned nihilistic glee. Naturally, he clashes often with Fishburne’s Mueller, a reformed hellraiser who sees in Sal the undignified, unrestrained parts of himself he’s worked so hard to leave behind along with the war.

But outshining both performances is that of Carell, whose soft spoken, earnest Doc is the film’s beating, hurting heart. It’s a charming, genuine performance that proves once again audiences have yet to see Carell’s full range as a dramatic performer. Just when you think he can’t possibly surprise you again with an outside the box role or film turn, he provides another one to make you say “Wow, that was good!”One challenge the cast and writing in “Last Flag Flying” doesn’t entirely overcome is just how to keep its narrative momentum steady throughout its 124 minute running time. Road pictures as a rule face this issue, as the “road” takes the characters in unexpected directions leading to plot beats that have to resolve themselves before the main narrative can get back on track.

To be fair, all those stops along the way do serve clear functions. They allow for Doc, Sal, and Mueller to organically resolve the unfinished business between them as well as provide for many of the film’s funniest moments.

It can be enjoyed just as well at home as it might be at the movies it is, after all, a quieter,
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But fans of Linklater and of the cast shouldn’t hesitate if they’re looking for a movie to see over the Thanksgiving holiday and it’s showing at their neighborhood theater.

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The laughing and crying masks, while the quintessential symbol of the theatre, perfectly encapsulate the duality of tones in “Man of La Mancha.” Navigating the choice between an unpleasant reality and a more appealing fiction, the Custom Made Theatre Co. deftly handles this subject matter with a certain sense of originality. Providing laughter and tears in equal measure, Miguel de Cervantes’ tragic figure Don Quixote is treated beautifully by Custom Made’s talented players”Man of La Mancha” utilises a clever play within a play format to address this aforementioned central question. Chronologically set against the dark background of the Spanish Inquisition, the show begins with a fictionalized Cervantes (Edward Hightower) in prison awaiting his judgment. After his manuscript is taken by a fellow prisoner, Cervantes offers the resulting play as a means to persuade his prisoners to return his life’s work. He assigns his peers the various roles while himself taking the role of the befuddled Alonso Quijano, an aging man who firmly believes he is actually the soon to be knight Don Quixote de la ManchaCast in the dual role of Cervantes and Quixote, Hightower handled both of these parts with ease. His Quixote portrayal immediately created rapport with the audience. His affable tone and likable demeanor were balanced by his more nuanced portrayal of Cervantes himself. Staged in a cozy, easily overlooked San Francisco venue, Quixote’s larger than life personality and ideals truly had room to shineCustom Made’s smaller stage only added to the show’s charm. Transforming from a prison cell to a humble inn, the modest stage helped dissolve the fourth wall between the audience and the actors. The audience felt like just another patron at the inn. This effect was not achieved via elaborate stage decoration but rather through the intimate atmosphere inherently found on the Custom Made Theatre stage. This, coupled with the strength of the performances themselves, helped persuade the audience to believe in Don Quixote’s comical version of realityThe humor in the first half of the show is pronounced. Laughs from the audience come swiftly and easily. The second act, however, offers a more critical view of Quixote’s delusions with characters such as Aldonza (Rachael Richman) facing the consequences of his decisions. In spite of these repercussions, one fervently roots for Don Quixote’s doomed adventures. Against dubious odds, against their own sanity, audience members find themselves rooting for Quixote’s make believe quest every step of the wayCustom Made Theatre Co./ Courtesy

Adding complexity to the show was the way in which the performers seamlessly move among multiple roles. Despite its small cast, “Man of La Mancha” has a surprising number of roles. Instead of being a hindrance, however, the cast members at Custom Made Theatre Co. use this fact to their advantage. Characters are at times center stage and other times retired quietly to the background to provide music for another scene. If anything, the limited cast of this production offers the performers multiple avenues to showcase their talents. The music and instruments not only help cement the time period of the musical, but they provide another tongue in cheek opportunity for the players to cultivate more laughsPaul Hogarth’s melodica may seem out of place adjacent to his flute and violin toting peers. But his musical ability is never in question. Hogarth provides beautiful accompaniment and haunting harmonies in songs such as “Little Bird.” Don Quixote’s bumbling squire, Sancho Panza (Dave Leon), is also no stranger to comedy. Leon flouts the time period in which he finds himself by punctuating songs such as “I Really Like Him” with loud bursts from his tuba. These humorous decisions reinforce the overall tone of “Man of La Mancha” as an even blend of impressive musicality and humor”Man of La Mancha” runs through Feb. 17 at Custom Made Theatre, 533 Sutter St. in San FranciscoContact Sarah Alford at [email .
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Another impressive feat of ‘Maze’ is its use of the Cork Prison to recreate the infamous Maze Prison (aka Her Majesty’s Prison Maze) in Co. Down, from which thirty eight IRA prisoners escaped in 1983.

His location is an element he describes as “a stroke of luck”, lending the film a keen hand in crafting its tense political atmosphere and placing the team in the supports of Cork City and County Councils, with additional support from Film in Cork.

Burke directs his own script, with Brendan J. Byrne and Jane Doolan (Bobby Sands: 66 Days) producing. ‘Maze’ screens in Galway on Saturday July 15th, with director and cast in attendance.

IFTN: Before we get into ‘Maze’, can you tell me a little about your other historic projects, such as ’81’ and ‘After 68’, and how they may have led you to your latest feature?

“My first short film ‘After ’68’ was set around the civil rights movement in Derry in the 60’s, and ’81’, my second was set in Belfast during the hunger strike. I wouldn’t say that ‘Maze’ is a follow on from them, but it’s a subject I know well, and feel comfortable with. Brendan Byrne, one of the producers, had made a documentary for BBC about the Maze escape called ‘Breakout’, and he approached me with the idea of making a feature film. We worked on the script for a number of years, with support from the Irish Film Board and Northern Ireland Screen and then producer Jane Doolan came on board at a later stage.

IFTN: I understand ‘Maze’ is an Irish/Swedish co production; what were your first steps in making the film and how did all the key players get involved?

“IFB supported ‘Maze’ through its development and stayed with us during a bumpy financing period. Producer Jane Doolan pulled together RT, BAI, and our sales agent Visit Films. But it reached a stage where we were missing a significant piece of finance and it looked like the film could fall through. Then Jane went to Sweden and met with the company that became our co producer Filmgate Films, and together they secured the finance we needed from Film Vast. We shot in Cork prison and around Cork city and county for four weeks, including places like Blarney Castle. Then we moved to Gothenburg Studios where we had built a small set to match Cork prison, and shot for a further week with a mix of Irish and Swedish crew. The Cork shoot was mad with quite a few big action sequences with loads of people involved. And Sweden, by contrast, was a reduced crew, and completely chilled. LionsGate came in just as we wrapped, buying UK and Irish rights.”

IFTN: Your cast is a great mix of well known and award winning actors. What was the casting process like?

“We offered the part of Larry Marley to Tom Vaughan Lawlor quite early on and he was very supportive throughout. I had to tell him a couple of times that we couldn’t shoot on the dates we hoped due to financing delays. But he stuck by the film through thick and thin. Tom is amazing to work with, he really puts his head and heart into his work. We were big fans of Barry Ward already, he plays Warder Gordon. Barry had been in our previous film, the Irish/Italian co production ‘L’Accabadora’, which recently had great success in Italy. Oscar, the part that Martin McCann plays was originally intended as a bit older, but when Martin said he was interested, we were delighted to adjust the part for him. For the rest of the cast we worked with casting director Maureen Hughes, putting together a great ensemble. Then in Cork, extras co ordinator Patricia Dennehy found a fantastic bunch of people, I wouldn’t call them extras, as they were wonderful performers in their own right. They had so much energy and enthusiasm, they add a great deal to the film.”

IFTN: Talk me through the supports you got to film in Cork such as Irish Prison Services, Film in Cork and the Cork Councils.

“Literally, a couple of months before we were to shoot, Cork Prison became vacant. It’s hard to even imagine a stroke of luck like that. At the time, we were planning to build a section of the Maze prison on a much too tight budget. I shudder to think what that might have looked like. Our production designer Owen Power still had to do a lot of work to transform Cork Prison into the Maze but the outcome is visually very strong. Having a real prison for a set adds an authentic atmosphere that would have been difficult to recreate. The Irish prison service and Cork Prison management and staff were hugely helpful and great to deal with. We were able to work without interfering in the new prison’s day to day life. And Tom Vaughan Lawlor did some workshops with the prisoners in his spare time.”

“Rossa Mullin and Film in Cork were also fantastic. Rossa discussed the film with Cork City and Cork County Councils on our behalf. From day one, they were very supportive of the film shooting there and they offered us some funding which was crucial to our decision to move the whole Irish shoot to the city. We used a lot of Cork based crew and cast, both trainee and heads of department like our production designer Owen Power, and cast members Tim Creed and Cillian O’Sullivan.”

IFTN: Following the screening in Galway when can Irish audiences expect to see ‘Maze’ on the big screen?

“‘Maze’ will go on nationwide general release with distributor Lionsgate on September 22nd. The trailer will be coming to a cinema near you very soon. It’s great to be premiering in Galway. When I was starting out in the film business, I used to do 16mm projection at the Fleadh in the old Claddagh Palace.”

IFTN: What are your next moves as a director; will you be keeping to the same historical focus for your next project?

“Most of what I have directed has had some political or historical background, across different genres. However, I am open to anything. Next up for me is the publication of my second novel ‘The Reluctant Contact’ on September 7th It’s a spy thriller set in a Soviet mine in the Norwegian arctic archipelago of Svalbard. Then the ‘Maze’ cinema release on September 22nd, so it will be a hectic month. I have a few scripts in the late stages of development, and it’s always hard to say which might get financed first.
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Sudbury man died a day or two after he went missing, autopsy indicates

A Sudbury man whose body was found Jan. 14 likely died shortly after disappearing in early November.

Sherri Lockman said she was apprised of post mortem results for her son Tyler Haney earlier this week, and while an exact cause of death was not available, there were indications the 27 year old had lain in the spot he was discovered for a couple of months.

“By the autopsy and everything that was seen with the forensics unit, he had been there probably a day or two after he went missing,” said Lockman.

Haney, reported missing Nov. 11, was found in a wooded area behind Centennial Arena in Hanmer by an individual on an ATV.

Lockman said her son often frequented this very patch of bush while growing up in the Valley.

While she wasn’t able to visit the site earlier, as soon as the autopsy was completed Tuesday, she went to the spot he was found to say goodbye and seek closure.

“Once I went there and saw it, I’ve confirmed and I am at peace with it all,” she said. “The rest of my life I’m going to be grieving for my son, and same with my other children, but I have closure. I know he’s at peace. And I know he’s with my mom, who was everything to him.”

Lockman has been candid about her son’s struggles with depression and substance use in recent years, but doesn’t believe he was suicidal. He had also made strides to get clean and as far as she understood was not abusing drugs prior to his death.

Unfortunately, she will never know exactly what contributed to his death, as the forensic pathology unit “couldn’t get any toxicology from the body,” she said. “But they knew he was there for a long period of time.”

She said her own hunch is “he wanted to clear his head and get away from everything,” and the wooded area was somewhere he “felt safe. He grew up there, went biking there, it was very familiar.”

At this point, the precise cause of death is almost irrelevant to her, she said.

“He’s gone, and there was definitely no foul play,” she said. “It was God’s time to take him. I truly believe God has a reason for all of us on this Earth and when it’s our time, it’s our time.”

A funeral is now set for Saturday at St. tomorrow at Lougheed Funeral Home in Hanmer.

Lockman said family members are flocking in, with some coming from as far away as Balmerton and Red Lake.

Serving as pallbearers will be Tyler’s uncles Darren, Dwayne and Greg Haney, along with cousins Noah, Mackenzie and Kelly.

His grandmother Jean Haney, whom Tyler adored, is also travelling from Atikokan to attend the funeral.

Tyler grew up in Hanmer, “playing hockey and loving the outdoors,” according to his obituary.

He had “a giant heart and always thought of others before himself,” it reads. “His biggest joys in life came from surrounding himself with family and friends, and watching the Leafs.”

Lockman said “it’s been a very trying 66 days, and then no answers for two weeks, because they had to thaw the body gradually for the autopsy,” but finally she feels like she can breathe and let go.

Her best friend Brandy Coulson, who came from Atikokan to be at her side, has been a godsend in the past couple of weeks, she said.

“She’s been my secretary, cooking for me, helping prep for the funeral,” she said. “And the community in the Valley has been amazing with their support.”

Once the snow leaves, Lockman said she and Tyler’s younger siblings, as well as his dad, will return to the spot where he was found.

“That will be his memorial spot,” she said. “In the spring we’ll put up a cross where he was and go for family walks there and remember him. He touched many people’s lives and he’ll be with us forever.”.
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